A Festschrift for Tony Frazer
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The Atheist’s Notes on Stone 

 

Notebook: Ovid says that Niobe was turned to stone, and her tears made a
perpetually
falling stream, as punishment.  She boasted of her seven sons and
daughters, a
ll of whom were killed by Leto’s children, Apollo and Artemis, when she
refused to worship
Leto as a goddess with only two offspring. Amphion, Niobe’s
husband, who had raised the city walls with his music, killed himself.
 


Notebook: The rocks drawn down 
From yon remotest waste, have overthrown  
The limits of the dead and living world. 

        Shelley, ‘Mont Blanc’ 


Notebook: The aim of life is death. . . Inanimate things existed before living ones. 

        Freud, Beyond the Pleasure Principle 


Notebook: The stone is worldless. 

        Heidegger 

 

Rock I

begin with a stone in a city wall 

                        worldless 

stars  

I see 

died before pre-history 

                        inanimate 

grass is grey 

longer than green 

in a universe of stone 

                         things 

mountains cool 

to the shape of time    but 

stone cannot die    stars lie 

                        existed before living ones    existed 

 

in what distant deeps 

                        living ones 

burnt 

a stone in a city wall 

a stone its own geology 

mountain and chasm 

                        existed worldless 

 

 

O lachrimae    Niobe 

all tears    marble 

inorganic veins seal    to rigor 

those in her warm arms    as 

the pulse beneath the skin    hardens 

she is matter  

is rock 

a stone of the heart 

                        the aim of life 

 

Rock II


its own geology    disasters 

of ravine    gorge    and precipice 

belong to this stone 

                        thing    things 

pile around it ice and rock 


 

Niobe 

all milk    blood    tears 

from the lovers’ hubris to the mother’s 

voluptuary suckling infants 

                        the aim of life 

golden boys and girls    all carnage 

that once  

in the avid womb 

your hearts’    music 

beat to different pulses    once    beat     

 

Rock III

its own geology    strata and striae     

ruins of 

matter’s pressure on itself 

                        existed before living 

heaped around    bare  and scarred  and riven 


 

Niobe 

a stone 

                        worldless thing 

cannot feel the sun    as skin can     even when 

warmed through and through it brings lizards to bask 

without dreams 

without a death wish 

never alive 

                        worldless 

undead    stone    without 

 

Rock IV 

its own geology 

                        is death 

shatters a lichen-scarred monolith 

seams granite rock-rifted 

a flood of ruin 

 

Niobe 

cruel logic gods have 

deflecting avaricious 

libido from 

                        its aim of life     of life    of life 

                        of life 

                        to death    is death     


in 

sentient    in 

animate matter 

 

Rock V 

its own geology 

time has pooled into the crevasse 

thousands of years deep 

                        worldless 

from yon remotest waste  


   

Niobe  

in    matter    in 

                        animate things    

existing before stars 

died    matter must have germinated 

                        existed before living ones 

libido longs to die 

because it longs to live 

as skin’s membrane grows 

forms of deadness 

what energy it takes to die 

 

Rock VI


its  own geology    scored    splintered    worldless  

fragments    flung    fissured escarpment and mesa 

wrecked from  chasms  of ice on ice    ruin gods played with 

 mangled soil     a wall impregnable 

  

Niobe 

statues known to weep tears or blood 

bring throngs to church’s ancient glooms    is death 

though tears congeal back 

to stone while Niobe’s eroded rock 

she once alive now in undead stone    death the aim of life is death 

 

Rock VII


its own geology    the aim of life    strews wastes 

of boulder into stonescape painscape 

unmaking    unlifing    undead 

limits of the dead and living world    

 

Niobe 

worldless    wordless 

stone hearts will not beat 

beat    beat     

from matter’s ancient turmoil    paroxysms 

of stone    obsidion to sand 

 

 

Coda to atheist’s notes: 

the atheist sees 

stone you can see through 

originary sands

glass    scarcely perceptible    shadow of glass 

a shell of  light on wall or table 

you can see through where 

windows’ yellow onyx dims striated light 

 

the atheist hears  

the cathedral’s 

reverberative bell 

beats 

coalesce stone and sound 

to melt in widening circles 

each note sounding in the other’s echoes 

to make the air liquid with sound and stone 

until it tolls them back 

to stone    relinquished 

to gravitas and matter 

 

worked alabaster    porphyry    the citta’s art 

travertine ascends  

to figures gesturing     in 

marble     

 

the atheist began with a stone in  an Arezzo city wall 

as 

Amphion’s notes raised up 

his city’s walls with sound 

 

lachrimae 

stone cold lips 

the lips of the dead colder than stone or clay 

 

 

the poem’s repetitive Sisyphus rock 

rolls back


Isobel Armstrong
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